Tag Archives: Irish History

Writers and the Easter Rising

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Arbour Hill, Dublin, where Patrick Pearse and other leaders of the Easter Rising are buried.

One hundred years ago today in Dublin, an Irish writer named Patrick Pearse stood on the steps of the General Post Office and read aloud the Proclamation of the Irish Republic on behalf of the Irish Republican Brotherhood, while revolutionary groups like the IRB and the women’s nationalist organization Cumann na mBan occupied Dublin and other locations in Ireland. Many of the revolutionaries were intellectuals, socialists, writers, stemming from different backgrounds; Patrick Pearse was a playwright and poet. Their goals included workers’ rights and women’s rights, alongside concerns that Britain would implement a military draft in Ireland to supplement its effort in the First World War. In the following week, known as the Easter Rising, the British responded as they often have when a colony declares independence: with excessive military force, which devastated Dublin and the rising’s core membership.

In the wake of the Rising, the British rounded up, arrested, and executed many of the rebellion’s leaders. Within a few weeks, the British executed much of Ireland’s intellectual community. Remaining leaders, such as Eamon de Valera, would go on to lead a more conservative Ireland, almost erasing the role of women and workers in the Irish Revolution from Ireland’s historical memory.

Patrick Pearse was executed on May 3. He joined what he believed was a just cause, and saw his responsibility not in writing, but in direct action, alongside other Irish writers, including the poet Joseph Plunkett.

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Thoor Ballylee

The poet William Butler Yeats felt differently. He sympathized with the IRB, but distanced himself from it before the Easter Rising. Some time after the Rising, he purchased a castle called Thoor Ballylee in rural western Ireland, where he placed himself both literally and figuratively above what would become the Irish War for Independence, Partition, and Civil War.

James Joyce had already relocated to the Continent, leaving Ireland behind physically but not artistically. Sean O’Casey, an Irish playwright, did not participate in the Easter Rising but would continue to write plays through the revolutionary period. While not all who participated in the Rising were executed, Britain’s heavy-handed response resulted in the deaths of numerous Irish writers, leaders, and thinkers. Meanwhile, writers who refused to participate allowed themselves more years to write, and therefore critique and contribute.

What is the role of writers in social change? In social upheaval? The Easter Rising may be an extreme example, but so was the American Revolution. What is a writer’s responsibility to a cause? It requires humility to surrender oneself to an active political movement, and a vast ego to situate oneself above the fray. But direct involvement is risky, and with the loss of intelligentsia comes the kind of one-sided leadership de Valera seemed to emphasize in the 1940s and 1950s when he found himself in charge of Ireland. Many American thinkers today threaten to leave the country if this or that candidate is elected president, but doing so abandons those Americans who cannot afford to leave to potentially brutal leadership that is suddenly without domestic criticism.

I try to be an activist, but I’m the first to admit I’m not very good at it, and that’s mostly because I can easily stop. If I wanted to, I could afford to escape into a pleasant countryside and write from afar; or I could join an activist group on the streets. I wish I knew which I would choose. All I know is that I admire Patrick Pearse’s bravery and humility in putting writing on hold for what he saw as a more admirable calling.

-jk

Kiss Me, I’m Torn by Sectarian Violence

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Many people go to Ireland to drink, look at the lush green landscape, have another drink, and fantasize about ancient Celtic culture as they understand it from Renaissance festivals. Often, the turbulent nature of Irish history, as is the case with much of history, goes ignored. Ireland has suffered tremendous oppression and violence, as well as poverty and disease. This can be seen in the capital city’s cemeteries. Glasnevin Cemetery, in Dublin, holds 1.5 million bodies, and the population of Dublin is 1.2 million; there are more dead Irish in one cemetery alone than there are living in the entire city. For a brief time during the Famine in the nineteenth century, fifty percent of the population of Dublin died before reaching the age of eighteen, dying in the slums which were considered among the worst in Europe.

With these and other atrocities in mind, outraged and lamenting Irish citizens formed organizations to counter and ultimately oust British rule over the island, and as a result, hundreds died in a bloody insurrection in April and May of 1916. A civil war followed the negotiated partition of the country into two halves, and sectarian violence from both Catholic Republicans and Protestant loyalists continued well into the latter half of the twentieth century. Some Irish and Northern Irish citizens were targeted only for their religious conviction, and bombings became commonplace in Ireland, as is the case in Iraq, Afghanistan, and Syria today.
Issues surrounding commemoration involve a shared place but not a shared memory. Many Catholic citizens have an emotional stake in keeping the memory of British oppression alive, while many loyalists want Ireland to acknowledge that the IRA committed atrocities against innocent Protestants. A historian told me today that when the meaning is stripped away from history, all that remains is a list of the dead, the one universality that all remembrances share. Thousands of people died in Ireland fighting for what they believed was a just cause; the reasons for the conflict are still disputed today, and there is no concurrence regarding who should be blamed, resulting in a society where one figure can be a villain and a hero at the same time, in the same region, even in the same pub. Keeping intact a divided country is still a challenge, and historiography plays a major role.

The Irish façade of beer and merry musicians is a part of Irish history, as my cabby made clear to me when he discussed the many gigs he has played in Irish pubs. But he was also frank in explaining the problems of remembrance, the survival of the Irish language, and the Irish emigration during the Famine years. This is not a place that can possibly live up to the façade for which so many tourists come. This is a place where, as we approach the hundredth anniversary of a century of violence and conflict, the complexity of a shared atrocity across sectarian lines is unavoidable, no matter how many ridiculous T-shirts one buys.

-JK