I’m pleased to announce that my flash essay “After Zion” is the featured online nonfiction for the next print issue of Blue Earth Review. It is what the title suggests: Dawdling after a long hike through Zion National Park. You should also check out the featured fiction and poetry for this issue while you’re there.
This short essay, along with one recently published in Dark Mountain, is one in a long string of environmentally-focused flash essays I read back in September as part of an Idaho MFA tradition, the yearly symposium: Each second-year student reads a selection of their work in a low-stakes setting, usually a faculty member’s house, and responds to questions and comments about their work to prepare them for their third-year thesis defense. Two-thirds of the flash essays I read at my symposium have found homes in print or online. Does that mean that I will only successfully defend two-thirds of my thesis next year?
I’m pleased to announce that my flash essay “Notes on Preparing for a Wildfire Evacuation” appears in Dark Mountain 15, which is themed around forest fires. The Dark Mountain Project is a UK-based literary and arts organization whose goal (they literally wrote a manifesto about it) is to use art to realistically address global ecological crises.
Much of my writing is environmentally focused, and this particular essay is about growing up in the mountain West, where wildfire season is a yearly, ongoing fact of life. I’m glad to have an essay in Dark Mountain, and I’m glad for the encouragement for the weird, at times discomforting direction my personal essays are going. Now that I live in northern Idaho, wildfire season remains a fact of day-to-day life. So too, though, are forests and mountains, the quieter features of the mountain West, the areas I’m used to exploring freely, that I hope to continue to explore. My writing will inevitably dwell on forests and fires alike. Now that I am about to enter my final year in an MFA program, as I prepare a book of essays for my final defense, I’m grateful for institutions like Dark Mountain whom I can trust with my weird, discomforting work.