Tag Archives: World Poetry Day

Broken Strings

Today is World Poetry Day, and by tradition on this blog (after having done it once), I’ll celebrate by posting an original poem. But today isn’t just about writing poetry; it’s about reading it. Currently, I’m enjoying Brandon Som’s The Tribute Horse. Let me know in the comments what poetry you’re reading, and I hope you enjoy my own contribution. If not, I have others.


Violins are such distraught instruments,
attention-hungry, stage-front and fraught with stage fright
as they demand burning strings with match-striking speed,
snapping bow hairs. When violinists listen
they can hear the glue dry on the tuning pegs,
can hear the instrument creak under the pressure
of a perfect performance, and still audiences almost never see
the violin at home. The smallest things do the worst damage;
a change in weather alone can pop a string. In silence
they release the pressure; tuning pegs unwind
letting out the strings, freeing them from the chipped bridge.
Violinists anthropomorphized these tools, naming them with anatomy,
the neck and body, not for the romance of it
but to transplant their body’s torment onto an instrument,
to make it suffer with them.
How frail the off-stage violin can be,
letting small things gnaw at it from the inside out,
allowing snowflake-sized details to warp its wood, melt its glue.
But these things are easy to fix. I can tune a violin
but what of the violinist? What of the audience? The streets?
Can we fine tune the weather to make the planet ripe again?
It doesn’t take a petition to tune an instrument
or social media campaigns to rosin a bow.
I can fix a broken string, but there my skills end
in the wake of so many other broken things,
cities, hearts, correspondences, futures. I can mend an instrument
held together and torn apart again by chance,
but for all the brokenness I can only marvel
at musicians with stage presence and their perfect instruments
that never need tweaking, never gather yellow layers of rosin dust,
never slide out of tune with the changing seasons
the way mine always seems to these days.

Copyright Keene Short, 2016.


Resurrection of the Berries

It’s Spring, and World Poetry Day, so I wrote a poem to celebrate both.

Rivers Flow

They bloom every year,
bulbous little puffs sprouting
cell by cell, drop by drop

from dirt, light, water,
these berries on the vine, soft,
inflated with juice, dark,

and ready to fall.
They grew from the same water
the Buddha’s mother drank,

the same soil Plato
decayed into, swept away
by worms and roots and seeds

that birds carried off
and dropped. Did Socrates know
that I would pluck him clean

off the vine? Maybe
his particles swept downstream,
joined the clay formations

used in giving birth
to Michelangelo’s David.
I let this black juice drip

down my cheek as I
stuff molecules of the past
between my teeth, compress

my dead ancestors
together with my tongue.
I’m sure that we will meet

not too long from now
when we are resurrected
from our bodies, when we

slip hesitantly
into a nirvana
of disconnectedness,

when we fly away
element by element,
cell by cell, drop by drop

into wilderness.
Then I’m sure we’ll meet again
as we’ve met in the past,

me as a flea’s leg,
you as the fur on a wolf,
or me as a flower

placed on the forehead
of a dead saint cremated
with sticks from your branches,

or, if dreams come true,
you as a wild berry bush,
me as a ladybug,

both of us together
in a bubble of green time
carried down a cool stream.


Photograph of the Lochsa River in northern Idaho, by the good folks at Keene Short Photography. Poem by Keene Short, 2015.