Who’s Afraid of Creative Nonfiction?


I’m pleased to announce that my creative nonfiction essay “Connecting the Dots” has been published in the Fall 2015 edition of Away. I also have the pleasure of announcing two additional publications, one poem and one nonfiction essay, forthcoming in Spring through NAU, but those will get their own post when the time comes.

This publication marks several firsts for me: the first nonfiction publication, the first piece that was workshopped heavily in a creative writing class, and the first time I’ve worried about how my audience will react. Creative nonfiction is difficult to write; unlike fiction, in which I can distance myself from the conflicts through artificial characters and situations, nonfiction requires me to place my own life under the lens. And now I have two nonfiction essays about to circulate. One is a love story; the other is about a moment in my life when I came close to committing suicide.

Nevertheless, labeling something nonfiction lends an air of authority to the subject. I can claim responsibility for my actions and thoughts more concretely, and thereby claim more certainty in how I articulate my understanding of the truth. I’m proud of this publication, and I’d be honored if any and all read “Connecting the Dots” as well as the other great nonfiction essays in Away.

Now if you’ll excuse me, I’ve got more writing to do.


P.S. While writing this essay, I listened to Bizet’s Menuet from his L’Arlesienne Suite No. 2, which I reference directly in the essay; “All is Well” by one of my best friends Ryan Biter, which encompassed what I felt at the time; and Chateau Lobby # 4 (In C for Two Virgins), by Father John Misty, for no particularly special reason whatsoever.

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